Events have led me to the recently-opened Direktorenhaus a couple of times lately. It’s a “permanent exhibition space for the whole neocraft-art-versus-design debate” apparently. Or, in other words, it’s a gallery space for design and craft-based work that isn’t quite pure ‘art’. Anyway, well worth going to have a look, partly because of the exhibitions that they hold there, but also because of the buildings.
In fact, you could make a day out of it and see Koolhaas’ Dutch Embassy just a block away to the east. There’s nowhere much to eat/drink in the area – we once found ourselves on a cold winter’s day inside a rather odd hotel restaurant in nearby Nikolaiviertel (which let’s face it, is an entirely odd place to begin with). The Wasserbetrieb’s staff canteen is open to the public, but Direktorenhaus hope to open a cafe soon on an upper floor of their building, which should be cool, and will have amazing views (see photos of amazing views, below). We’re talking the bit around here. anyway – it feels out of the way, but is actually quite central. Albeit ‘central’ in Berlin is oddly the bit with least in it.
The ‘Direktorenhaus’ itself is one wing of what was the old German Reichs Mint, built in 1935, and was basically just a license to print money… ha ha. It’s now a part of the Berlin Wasserbetiebe (the Berlin water company) with the original buildings wrapped around some new ones, the most notable being by Christoph Langhof, 1998-2000. Have just noticed some good shots and a bit about this over at the Deutsches Architektur Forum. Anyway, am becoming scattergun, so here it all is in an orderly fashion:
The entrance is quite tricky to find. It’s at Am Krögel. 2, so you go in on the side away from the river. And it’s helpfully unsigned.
PS – have accidentally downsized some of my images to about 4 pixels. The best ones, annoyingly. Damn Picasa and its strange export function.
Now, it should be noted that German architecture during the period 1933-45 is a complex business, with perhaps more continuity than many of the stripped neoclassical ‘banality of evil’ designs would suggest, albeit that modernism was relegated relegated to industrial buildings, where it survived at all. And one should not forget the need to consider the context of the buildings and the horrors of the regime, to avoid becoming one of those weird people with an unhealthy obsession with the subject. But, well, ooh, I love a good Nazi building, don’t you?
Something a bit scary greets you as you enter:
I guess it’s really just the facades – the interiors are less distinctive, although the staircase is lovely, and there’s the odd ‘overblown’ detail, like the neoclassical seat (see below, this bit is under refurbishment, they don’t normally leave coffee cups everywhere like this).
Those aforementioned views, possibly to be what you’ll see from the cafe:
The newer buildings immediately behind the Direktorenhaus, and to its right on the river, are by Joachim Ganz, and have some borderline-lame (in my opinion) wavy facade metaphors for water. The most interesting bit is the inclusion of some apartments in the elevation onto the Am Krögel side, with each apartment having a mezzanine level with internal glazed rooms and winter gardens.
Then, round the front, is the more Christoph Langhof building, added onto the industrial part of the 1935 mint complex, but rather different from it. It has, in my mind, a mix of early Czech modernism, that weird style that’s being used to complete Gaudi’s Sagrada Familia, and Blake’s 7/Doctor Who sets circa 1978. Which overall is a good thing, I think.